Waterford artist Fionn Timmins graduated from MTU Crawford College of Art and Design in 2024. He works primarily with sculpture and uses video and sound to support this practice. His work considers our relationship with the landscape by addressing and reinterpreting references to Irish folklore and ancient Irish megalithic forms, such as stone circles and dolmans. Working primarily with ancient bog oak – a material that would have been alive in the landscape during the construction of these ancient sites – his sculptures draw on the symbolism of the circle and the Sacred Oak Tree, often referred to in Irish mythology.
“My work is primarily based around sculpture making but I also use video and audio support in my practice. Recently I have primarily been using bog oak as my subject. The inspiration for my work comes from ancient Irish megaliths, such as stone circles. The way these structures are meticulously arranged in our landscape and their connection to celestial objects fascinates me. The symbolism of the Circle and the Sacred Irish Oak Tree are often referred to in our mythology. The bog oak I use was alive in the Irish landscape during the construction of our great stone circles. The sculptures I create become the subject for my videos.
During the spring equinox in 2024 I carried Ciorcal na nDéise, my bog oak installation, to its original homeland in County Waterford, to be filmed. It was installed in the Comeragh mountains for five days and five nights. The journey became a vital role in the story of the work. The piece was first carried a considerable distance across the mountain and then I stayed with it for the duration of the install. Without the use of my phone I became very aware of the sounds, smells and the different atmospheric changes happening around me, and how they affected my body. I felt a deeper connection with the land. I could then appreciate the philosophy of late Irish writer John Moriarty, who I take great inspiration from, on how he navigated his way through our Irish landscape. Irish writer and documentary maker Manchán Magan has also heavily influenced my work. I like his argument about why mythology can be relevant today and used as a means of learning. He believes they are not just colourful stories but an ancient form of knowledge. My artwork aims to be a reminder to us of the deep roots within our ancient history and its timeless wisdom that can still resonate with us today.”
Exhibitions:
Residencies & Awards:
Installation Multimedia
Graduate Award Sculpture
Ceramics Installation Sculpture
Graduate Award In Studio Installation Sculpture
Glass Graduate Award Sculpture
Film & Video Multimedia
In Studio Multimedia Sculpture
Glass
In Studio Installation Multimedia Performance
Metal
Commission Installation
Graduate Award Multimedia Sculpture
In Studio Installation
Ceramics In Studio Installation Sculpture
In Studio Installation Sculpture
Performance
Graduate Award Installation Metal Sculpture
Glass
Graduate Award In Studio Multimedia Socially Engaged
Sculpture
Commission Installation Socially Engaged
Commission Installation Multimedia
Ceramics In Studio
Glass
Installation Sculpture
Installation
Film & Video Graduate Award Installation Sculpture Wood
Film & Video Multimedia Photography
Graduate Award In Studio Installation
In Studio Installation Metal Sculpture
Glass
Installation Sculpture
Commission Multimedia
Installation
Multimedia
Ceramics Glass Metal Sculpture
Glass Sculpture
Glass
Sculpture
Film & Video Installation Multimedia
Film & Video Graduate Award Sculpture
Installation Multimedia Photography
Ceramics
Performance
Film & Video
Glass Sculpture
Film & Video Graduate Award Installation Multimedia
In Studio Installation
Installation Sculpture
Sculpture
Ceramics Graduate Award
Sculpture
Sculpture Socially Engaged
Glass
Ceramics Sculpture
Installation Multimedia Sculpture
Glass
Installation Sculpture
Sculpture
Multimedia
Graduate Award Sculpture
Ceramics Graduate Award
Sculpture Socially Engaged
Sculpture