Factory Fragments, a limited series of ceramics by artist Simon Kidd. Created using casts taken from features and structures in the NSF workshop, and fired using a range of natural materials and stone gathered from Oileán Chléire and the Factory itself.
Objects, sculptures, vessels, artefacts, pots. They always begin with a place, with its stories and feelings it evokes.
These pieces respond directly and indirectly to a place, they are embedded and coated with materials gathered from there. The forms informed by what is found there, or what once was there. I want these pieces to become artefacts of their place – to be physical connections to the land they’re born out of. I work with ceramics, utilising the variety of processes that can be used: throwing, slip casting, press moulding, hand-building. I allow each project I work on to inform the processes used. What is a constant thread throughout my work is the use of local materials, which are used as inclusions in the clay body or else as glazes – granite, basalt, limestone, wood ashes, turf ash. There are endless possibilities for what can be used and how it can be used, and the constant experimentation and learning that this creates is an important part of my practice.
– Simon Kidd
As I climbed up above the office, and quietly worked in the rafters of the building. Squeezing myself amongst the mechanism for the old crane, towards an oversized threaded tube which had a beautiful grease and rust patina. I wiped years of dust off a disused and unseen part of the building before casting it in silicone – quietly working while listening to a lecture by Clare Twomey taking place down below.
There’s a contemporary clean office space that spans the width of the factory, it floats above the factory floor where the artists are working in their bays – overlooking the creative chaos of what’s happening below. The roof of the office is spotted with the behind the scenes workings on the rooms inside, electricity cables and air ducting. I cast a corner of one of the air ducts, cleaning off a thick layer of dust created from the activities of the factory below.
The walls of the metal fabrication bay, hidden behind an array of big, bulky, heavy tools, had a particularly degraded corner – the bricks spalling and falling onto the floor below. The once sharp and defined brickwork turned soft and weak, losing its original detail but gaining its own.
Hidden beneath tarps are two pallets stacked high with bricks. These taken from the walls of the building are being stored in the factory, used by various artists during their projects in the factory. Some of these bricks are half destroyed, left in pieces, others still slathered in set mortar. They are beautiful things, so worn and affected by their years of use, each one different to the last.
A series of interlocking cogs are hidden above the office in the old crane. Objects which once worked together to lift incredible loads now retired, covered in layers of rust, grease, and dust. Beautiful for their repetition and perfection of form. I cast a small section of one, its rounded teeth and gentle curve.